AROUND THE MEDIEVAL MEDITERRANEAN (solo voice, lute and fidle)
Hymn from 3rd cent. (no. 59 PAP. OXY. 1786, Egypt)
Palestinalied (Walther von den Vogelweide, 1228 crusade)
Gente sans per and Plaisant regart from the French – Cypriot manuscript (13th cent)
O Digenis and San tis Orias to kastro: 2 folk songs from Byzantine Greece
Questa fanciulla amor and Ecco la primavera by Francesco Landini (1325-1397)
Quant je suis mis and Mes esperis by Guilhaume de Machaut (1300-1377)
Pois tornaz sui en Proensa by troubadour Peire Vidal (c 1160-1205)
Non es meravelha s’eu chan and Can vei la lauzeta by troubadour Bernart de Ventadorn
El sueno de la hija del rey, Sephardic Jewish
Mariam matrem (from Llibre vermeil) and Como poden (from cantigas de Santa Maria)
AROUND THE NORTH SEA OF THE MIDDLE AGES
Miri it is
Angelus ad virginem
Beata viscera
Instr. britisk
Edi beo thu
Ja nuns hons pris (Richard the Lionheart)
Alle psalite cum luya
Vivre touz tens (Thibaut de Navarre)
Retrowange novelle (Jacques de Cambrai), Instr.
Tristre plaisir et douloureuse joie (Gilles Binchois)
Fas et nefas (from Carmina Burana)
Der May (Oswald von Wolkenstein)
Ach senleiches leiden (Oswald von Wolkenstein)
Ach Elselein, liebes Elselein
Den förtrollade barnaföderskan
Personent hodie (from Piae Cantiones)
WOMEN COMPOSERS FROM THE RENAISSANCE AND MEDIEVAL PERIODS (solo voice and choir a cappella)
ANON , chanson de toile, 12. cent.: Belle Doette (solo)
KASSIA (810-843/867?) Den falne kvinnen (solo), Augustus, The Monarch
HILDEGARD VON BINGEN (1098-1179):O viridissima virga (solo), excerpts from Ordo virtutum (soli+choir)
SULPITIA CESIS (1577-1619): Maria Magdalena et altera Maria, Stabat Mater, Il mio piu vago sole (choir a cap.)
RAPHAELA ALEOTTA (1574-1646): Exurgat Deus (choir a cap.)
WOMEN COMPOSERS FROM THE MEDIEVAL PERIOD(solo voice and fidle)
ANON , chanson de toile, 12. cent.: Belle Doette, Au renouvel du tens
KASSIA (810-843/867?) Den falne kvinnen (solo), Augustus, The Monarch
HILDEGARD VON BINGEN (1098-1179):O viridissima virga (solo), excerpts from Ordo virtutum
MADAME DE FAYEL (12. hundretallet) Chanterai por mon coraige
CONTESA DE DIA (12. hundretallet) A chantar
RENAISSANCE MUSIC REP. FOR SOLO VOICE / THEORBE
BARTOLOMEO TROMBONCINO(c. 1487) Aqua noen e l’ humor
COSIMO BOTTTEGARI (1554-1620): Mi parto
JACOPO PERI (1561-1633 ):O miei giorni fugaci
GIULIO CACCINI (1550-1618):Amarilli
FRANCESCA CACCINI (1587-1640): Per la piu vaga…
GIROLAMO FRESCOBALDI (1583-1643): Non mi negate, Se l’ aura spira
CLAUDIO MONTEVERDI (1567-1643): Lamento d’ Arianna
J. B. BESARD (1603): Ma belle si ton ame, Si jamais mon ame blessee, Rosette pour un peu d’ absence
JOHN ECCLES (1668-1735): The foolish Maid, I burn, I burn
JOHN DOWLAND(1563-1626): Wilt thou, unkind, thus reave me, Flow my Tears, Fine knacks for Ladies
HENRY PURCELL (1659-1695): What shall I do to Show, I Attempt from Love’s Sickness To Fly
ANON: Two songs from Shakespeare’s plays, Greensleeves
WOMEN COMPOSERS FROM THE BAROQUE PERIOD (2 singers / theorbe / vla da gamba)
LUCRETIA VIZZANA (1590-1662): Ornaverunt faciem templi, O invictissima Christi martir (duetti)
ELISABETH CLAUDE JACQUET DE LA GUERRE (1665-1729):Le Passage de la Mer Rouge (solo cantata)
CATERINA ASSANDRA (1590-1620): O dulcis amor Jesu (duet)
BARBARA STROZZI (1619-1664): Per tutti li Confessori (solo cantata)
FRANCESCA CACCINI (1587-1640): O che nuovo stupor (aria), Himno Jesu corona Virginum (aria)
CHIARA MARGARITA COZZOLANI (1602-1677): O dulcis Jesu (duet)
ISABELLA LEONARDA (1620-1704): Spes mondane (op.6)
LOVE IN THE BAROQUE PERIOD voice and b. continuo
FRANCESCA CACCINI (1587-1640): 2 songs from the opera:”La liberazione di Ruggiero dall’ isola d’ Alcina”
CLAUDIO MONTEVERDI (1567-1643):Lamento d’Arianna
ANTONIO VIVALDI (678-1741): Qual per ignoto calle, RV 677(Cantata per contralto e basso continuo)
HENRY PURCELL (1659-1695): Man is for the woman made, Oh! Lead me to some peacefull gloom,
I attempt from Love’s sickness to fly, Sweeter than Roses
GEORG FRIEDRICH HANDEL 1685-1759): Lucrezia (solo cantata)
BAROQUE CHURCH MUSIC PROGRAMME 2 singers+ organ /orch.
GIOVANNI BATTISTA PERGOLESI (1710-1736): STABAT MATER, SALVE REGINA
BAROQUE CHURCH MUSIC PROGRAMME for alto, 2 violins, viola and continuo
GEORG PHILIPP TELEMANN(1681-1767): Ach Herr, straffe misch nicht
GEORG FRIEDRICH HANDEL(1685-1759): Ah! Che troppo ineguali
JOHANN SEBASTIAN BACH(1685-1750): Solo cantata nr. 53: Schlage doch gewünschte Stunde,
Solo cantata nr. 170: Vergnügte Ruh, beliebte Seelenlust
ANTONIO VIVALDI(1678-1741): Stabat Mater RV 621
WOMEN COMPOSERS FROM THE CLASSICAL AND ROMANTIC PERIODS (voice and piano, choir a cap.)
ISABELLA COLBRAN (1785-1845): Mi lagnero tacendo
MARIA SZYMANOWSKA (1789-1831): Se spiegar
CLARA WIECK SCHUMANN (1819-1896): Sie liebten sich Beide, Declaration, Abendfeier in Venedig, Vorwärts (choir a cap.)
FANNY MENDELSSOHN HENSEL (1805-1847): Schöne Fremde (choir a cap.)
PAULINE VIARDOT GARCIA (1821-1910):, Auf Grusiens HügelN, Mitternächtige Bilder, Die Beschwörung
ALMA MARIA SCHINDLER MAHLER (1879-1964): Licht in den Nacht, Erntelied
EVA DELL’ ACQUA (1860-?): Villanelle
WOMEN COMPOSERS FROM THE ROMANTIC AND CONTEMPORARY PERIODS (voice and piano)
CECILIE ORE (1954- ): Calliope for female voice a cappella
PAULINE HALL (1890-1969): Fangens aftensang, Jag är ett träd
AGATHE BACKER GRØNDAHL (1847-1907): Valborgsnatt op 31 nr. 8, Hvorfor hyller de sorte hunde, Storm
MON SCHJELDRUP (1870-1934): Huldre-sang op 21,Det gyldenhvite himmellys op 63,
Ack, aldrig någon om min kärlek vetat op 63
SIGNE LUND (1868-1950): Folkevise op 27, Til et barn op 22 nr 3, Selfdependance
SYNNE SKOUEN (1950- ): Rosa for sopran med klaver og lydbånd (Inspired by Alma Mahler’s fate)
TRE KVINNESKJEBNER / THREE WOMENS FATES (Solo voice and piano)
ROBERT SCHUMANN (1810-1856): Frauenliebe und Leben, op. 42
KASSIA (810-843/867?): Den falne kvinnen
HILDEGARD VON BINGEN (1098-1179): O viridissima virga
ISABELLA LEONARDA (1620-1704): Spes mondane (op.6)
GIOACCHINO ROSSINI (1792-1868): Giovanna D`Arco (solokantata)
EVIG KJÆRLIGHET / LOVE ETERNAL (Solo voice and piano)
FRANZ SCHUBERT: Ave Maria, Gretchen am Spinnrade, Erlkönig
ROBERT SCHUMANN: Die Tochter Jepthas op. 95, nr. 1, Der Spielmann, op. 40, nr. 4, Widmung op. 25, nr. 1, Mondnacht op. 39, nr. 5, Fruhlingsnacht op. 39, nr. 12
PAULINE VIARDOT GARCIA: Auf Grusiens Hügeln, Mitternächtige Bilder, Die Beschwörung
JOHANNES BRAHMS: Zigeunerlieder,op 103: Von ewiger Liebe
LOVE IN THE ROMANTIC PERIOD soprano, alto, piano
GIOACCHINO ROSSINI (1792-1868): La regatta Veneziana (duet)
PAULINE VIARDOT (1821-1910): Lamento (solo)
ANTONIN DVORAK (1841-1904): Mein Lied ertönt ein Liebespsalm (fra op 55) (solo)
From op 32, 4 duets: A Ja ti uplynu (nr. 1), Zalata (nr. 10),V dobrym sme se sesli (nr. 4), Zelenaj se, zelenaj…(nr. 11)
FRANZ SCHUBERT (1797-1828): Im Frûhling (solo),Gretchen am Spinnrade (solo)
PIOTR I. CHAIKOVSKY(1840-1893): April, piano solo
ROBERT SCHUMANN (1810-1856): An den Abendstern (duet), Liebesliedl (solo),Sommerruh (duet), An die Nachtigall (duet)
JOHANNES BRAHMS (1833-1897): Walpurgisnacht (duet), Von Ewiger Liebe (solo), Die Schwestern (duet)
GREEK PROGRAMME FOR VOICE AND GUITAR
Hymn to Appollo Ύμνος στον Απόλλωνα ANON, 2. cent. BC
DINOS CONSTANTINIDES (1929- ): Delphic Hymn Δελφικός Ύμνος
DIMITRI NICOLAU (1946- ): Maren lai, Piccolo madrigale op. 119, La contessa e il contadinono
MANOS HATZIDAKIS (1925-1994): 2 “moon songs”: Πάμε μια βόλτα στο φεγγάρι Το φεγγάρι είναι κόκκινο
MIKIS THEODORAKIS (1925- ): 4 songs from EPITAFIOS, The Dream Went Up In Smoke To όνειρο καπνός
MANOS LOIZOS (1937-1982): Good morning, sun! Καλημέρα ήλιε
GREEK PROGRAMME FOR VOICE AND PIANO
Songs by JIANNIS KONSTANTINIDIS (1903-1984)
MANOS HATZIDAKIS(1925-1994)
MIKIS THEODORAKIS (1925- )
EMILIOS RIADIS (1886-1935) (3 μοιρολόγια σε ποίηση Κ. Παλαμά 3 dirges on poetry by Kostis Palamas)
ALKIS BALTAS (1947-) (Μικροτραγουδα Mikrotragouda)
folksongs, ancient greek fragments etc.
SOLO VOICE A CAPPELLA
DIMITRI NICOLAU (1946- ):Opera Audition, op 227 A lyrical comic scene for voice soloist (written for M.Z.)
CECILIE ORE(1954- ): Calliope
LUCIANO BERIO(1925- ): Sequenza III per voce femminile
LASSE THORESEN (1947- ):The Tablet Of Abdul Baha
SYNNE SKOUEN(1950- ): Rosa for sopran med klaver og lydbånd (Inspired by Alma Mahler’s fate)
HILDEGARD VON BINGEN (1098-1179): From Ordo Virtutum
GREEK FOLKSONGS – ΕΛΛΗΝΙΚΑ ΔΗΜΟΤIΚΑ ΤΡΑΓΟΥΔΙΑ (a cap)
Κόκκινος πετεινός, Θαλασσακι, Πληγωμένος καπετάνιος, Κλεφτοπουλα, Χορός του Ζαλόγγου, Γιάννη μου το μαντήλι σου, Μωρή κοντούλα λεμονιά, Λαφίνα, Ερήνη, Λαλούδι της Μονεμβασιάς
SPANISH MUSIC FOR VOICE AND GUITAR
FEDERICO GARCIA LORCA (1898-1936): La Tarara, Nana de Sevilla, Zorongo, Los cuatro muleros, Las morillas de Jaen
ROBERTO GERHARD (1896-1970):Un galan y su morena, La lobada, La muerte y la donzella
MANUEL DE FALLA (1876-1946):Siete canciones populares espanolas (El pano moruna, Seguidilla murciana, Asturiana, Jota,Nana,Cancion, Polo)
MIDDELALDERMUSIKK I NY DRAKT
FRANCESCO LANDINI (1325-1397): Ecco la primavera
ANON: Miri it is
from: LIBRE VERMEIL: Laudemus virginem, splendens ceptigera, ad mortem festinamus
from CANTIGAS DE SANTA MARIA , nr. 225
GUILHAUME DE MACHAUT (1300-1377): Quant je suis mis
ANON: Chevalier
CHATELAIN DE COUCY (c.1160 – 1203): Li noviaus tens
MADAME DE FAYEL (?) Chanterai por mon courage
WALTHER VON DER VOGELWEIDE (c.1170-c.1230): Palestinalied
NEIDHART VON REUENTAL (c.1180–c.1245): Mayenzeit
A TRIBUTE TO BENJAMIN BRITTEN
9 songs from his FOLKSONG ARRANGEMENTS, A CHARM OF LULLABIES (song cycle), PHAEDRA (dramatic solo cantata)
A TRIBUTE TO FRANZ LISZT
VOICE AND PIANO
Nimm einen Strahl der Sonne, Im Rhein, im schönen Strome (Heinrich Heine), Die drei Zigeuner (Nicolaus Lenau)
Freudvoll und Leidvol, Wanderers Nachtlied, Der König von Thule,Mignon’s Lied (Johann Wolfgang von Geothe)
CHOIR
Ave Maria, Salve Regina, L’Eternel est son nom